BAHARON PHOOL BARSAO - SARGAM

I am herewith giving the notations of the song in SARGAM. Please note that these are the notations when you play a C chromatic harmonica creating the scale of A minor. Please dont get confused that the note ' GA ' is not the komal ' ga ' of the base raag Shivranjani. With these notations note ' C ' becomes the ' ga ' of scale A minor. Therefore ' GA ' here, is the ' PA' of A scale.Please note that this ' PA ' position remains unchanged irrespective of the scale being a Major or a minor.
Some friends have requested for the hole numbers, since the notation pattern is still to be learnt by them. Our next posting of the same song identifying the hole numbers for practising this song.

BAHARON PHOOL BARSAO = GAGA MA DHA DHANISA... .SA..SASANISA

MERA MEHEBOOB AYA HAI = SASASASA NI- DHA-MAMADHANI-NI

MERA MEHEBOOB AYA HAI = NI - NIDHA DHANISA-SA-NISANI - DHA - DHA

HAWAON RAGNI GAO = GAGA MA DHA DHANISA... .SA..SASANISA

MERA MEHEBOOB AYA HAI =SASASASA NI- DHA-MAMADHANI-NI

MERA MEHEBOOB AYA HAI =NI - NIDHA DHANIre - re -NISANI-DHA - DHA
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O LAALEE PHOOL KI MEHENDI = GA'GA'MA'SA' - SA'- SA'GA'GA'MA'SA' - SA'

LAGAA IN GORE HATHONMEIN =SANISADHA - DHA MA SADHASADHASA-SA

UTAR AA EI GHATAA KAAJAL = GA'GA'MA'SA' - SA' - SA'GA'GA'MA'SA' - SA'

LAGAA IN PYARI AANKHONMEIN = SANISADHA - DHA MA SADHASADHASA - SA

SITARON MAANG BHAR JAO = GAGA MA DHA DHANISA - SA - SASANISA

MERA MEHEBOOB AYA HAI = SASASASA NI - DHA - MAMADHANI - NI

MERA MEHEBOOB AYA HAI = NI - NIDHADHANIre - re - NISANI - DHA - DHA

CROWDING OF NOTES

While writing the notes I have carefully adjusted the gaps & checked in the draft also. I found it to be in order, but after its published I was surprised to see them all getting crowded making very difficult to understand. I am again arranging in a phrased manner so that there wont be any confusion in understanding. I regret the inconvenience caused. As all of us have the conventional Chromatic harmonica in the scale of C you can play this song as per the notes. By doing so you will be playing this song in the scale of A minor in this C scale harmonica. Here you are taking the start ( Key note ) as E. To play this song in the scale of C minor in the same harmonica you have to take the start ( Key note ) as G which is 3 semitones ahead of E.

BAHARON PHOOL BARSAO = EEF#A ABC-C-CCBC

MERA MEHEBOOB AYA HAI = CCCC B-A-F# F#AB-B

MERA MEHEBOOB AYA HAI = B-BA ABC-C BCB-A-A

HAWAON RAGNI GAO = EEF#A ABC-C-CCBC

MERA MEHEBOOB AYA HAI =CCCC B-A-F# F#AB-B

MERA MEHEBOOB AYA HAI = B-BA ABC#-C# BCB-A-A

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O LAALEE PHOOL KI MEHENDI = E'E'F#'C'-C' E'E'F#'C'-C'

LAGAA IN GORE HATHONMEIN =CBCA-AF#CBCBA-A

UTAR AA EI GHATAA KAAJAL = E'-E'E'F#'C'-C' E'E'F#'C'-C'

LAGAA IN PYARI AANKHONMEIN = CBCA-AF#CBCBA-A

SITARON MAANG BHAR JAO = EEF#A ABC-C CCBC

MERA MEHEBOOB AYA HAI = CCCC B-A-F# F#AB-B

MERA MEHEBOOB AYA HAI = B-BA ABC#C# BCB-A-A

These are the basic notes. we can add flavour to it by vibrato or putting some accidental notes. please operate the slider gently either with your fore finger or the thumb. Please dont hit it with your palm since its very delicate.

We are open for any corrections and suggestions since we learn though our mistakes & errors.

BAHARON PHOOL BARSAO

I am herewith giving the notations of the song Baharon Phool Barsao. The song is from the movie SURAJ. The movie was released in 1966 with Rajender kumar & Vyjayanthimala in the lead. & the Hyderabad born Ajit as the villain with Sri Gajanan Jagirdar, Umashankar vyas, Lalitha pawar & Mumtaj in the supporting roles. Gajanan jagirdar was the principal for the Film & television Institute of India at Pune ( FTII ) for some time. In this movie singer Sharda ( Sharda Rajan ) made debut as the playback singer with her maiden song TITLI UDEE, which is very popular even till today. Maestros Shankar-Jaikishan had tuned & composed music for the songs written by Shailender Ji & Hasrat jaipuri Sahab. This song is basically in the raag Shivranjani. I am highly greatful to Mr Saitejas of Bengaluru for correcting me that this particular song is in the raag MISHRA SHIVRANJANI which is derived from the route SHIVRANJANI. Its due to the presence of the note C# when you play the A minor key on a C chromatic harmonica at a few places.

Please note that this post is not in link to my the previous post. The previous post is for the beginners who are keen to know the positions of the notes in harmonica.

Before commencing to play the song please note that the NOTES = C, C# , E , G , Ab are the BLOW NOTES & the NOTES = D , Eb , F , F# , A , Bb & B are the DRAW NOTES. For the FLATS & the SHARPS you have to use the slider when you are playing a C chromatic harmonica to derive these notes. Below I am giving the notations . Please play a C chromatic harmonica.

BAHA RON PHOOL BARSAO , MERAMEHE BOOB AYAA HAI

EE F#A ABC-C CCB-C CCCC BA-F# F#AB-B

MERA MEHEBOOB AYAA HAI

B-BA ABC-C BCB-A

HAWAON RAAGNI GAO , MERA MEHEBOOB AYAA HAI,

NOTES ARE SAME AS THE TOP NOTES

MERA MEHEBOOB AYAAHAI

B-BA ABC# -C# BCB-A

O LAALI PHOOL KIMEHENDI LAGA IN GORE HATHONMEIN

E'E'F'# C'-C' E'E'F'#C-C C'BC' BA AF#C' BC'BA-A ( E' IS THE 'E' OF NEXT OCTAVE )

UTAR AA EI GHATAA KAAJAL LAGAAIN PYAARI ANKHONMEIN

E'-E'E'F# C - C E'E' F'#-CC C'-BC'BA AF#-C' BC'BA-A

SITARON MAANG BHARJAO , MERA MEHEBOOB AYAA HAI

(THE SAME NOTES OF BAHARON PHOOL BARSAO CONTINUES HERE AFTER TILL THE END )

MERA MEHEBOOB AYAA HAI

BAHARON PHOOL BARSAO.................................

FOR BEGINNERS

There are many enthusiasts who like to play harmonica. We welcome them with a warm heart & ready to share our experience, observation & the problems we faced towards learning of this TINY but MELODIOUS musical instrument. As far as Chromatic harmonica is concerned the conventional one is the 12 hole in the key of C. These 12 holes covers 3 Octaves. By OCTAVE we mean eight notes viz C , D , E , F , G , A , B & the C of the next series. These three octaves are known as the Lower Octave , The Middle octave & The higher octave. The note in between the note C & note D can be achieved by the operation of the slider. This intermediate note is known as C#. In the octave of a particular scale there are 12 notes including the Flats & the Sharps. As for example for the scale of C the notes are as mentioned below.

C , C# , D , Eb , E , F , F# , G , Ab , A , Bb , B .

HOW TO GET THE NOTES OF AN OCTAVE ON A CHROMATIC HARMONICA

C = Blow at the holes 1 , 5 , 9 with slider out

C# = Blow at the above holes with slider in

D = Draw at the above holes with slider out

Eb = Draw at the above holes with slider in

E = Blow at the holes 2 , 6 , 10 with slider out

F = Draw at the above holes with slider out

F#= Draw at the above holes with slider in

G = Blow at the holes 3 , 7 , 11 with slider out

Ab =Blow at the above holes with slider in

A = Draw at the above holes with slider out

Bb = Draw at the above holes with slider in

B = Draw at the holes 4 , 8 , 12 with slider out

B# = Draw at the above holes with slider in ( This is C note only but sounds sweet at landing )

C = Blow at the above holes with slider out ( This is the C of the next octave )

C# = Blow at the above holes with slider in ( This is the C # of the next octave )

HAVE A GOOD PRACTICE . ALL THE BEST.

Our next post will be the notations for the song Baharon Phool Barsao .

NOTES , TONES & SCALES

Before proceeding into the notations & songs I would like to share a bit of my knowledge about the Scales, Notes & Tones from concept point of view which is highly essential for the inset of Concept.
TONE means a sound of a certain frequency. Sometimes the tone is pleasant to the ear & some times it is pungent to the ear. The pungent one we term as NOISE and the pleasant ones we chose to put them in order making a garland of NOTES which is known as SCALE. We identify each note by a name depending upon their frequencies. Putting these set of notes in ascending order of their frequencies & making a chain is the SCALE. As each NOTE has a name, similarly each SCALE has a name. Conventionally the scale starts with C as the reference having the notes ascending order staring with the note name C.
There are 12 NOTES viz C , C# , D, D# ( Eb ) , E , F , F# , G , G# ( Ab ) , A , A# ( Bb ) & B .
similarly 12 SCALES with the same names as the NOTES. In a particular scale there are seven notes in total.
Example Scale ' C ' = C , D , E , F , G , A , B & again C of the next octave.
The Major & Minor concept of the SCALE , FLAT & SHARP NOTES I will explain latter.

I will upload the song BAHARON PHOOL BARSAO with the original song then the play of the same song in the original scale on harmonica.

Finally for the understanding & grasp of the song I will give the notations of the song.

CONCEPT OF MUSIC

I thank all the members of The Harmonica Club Of Gujarat for giving me this golden opportunity of sharing my rudimentary knowledge in music to one & all. My special thanks to Mr Nachiketa Desai & Mr Tapan Bhat for having a lot of confidence in me towards the successful implementation of these efforts .

As all of us know MUSIC is one of the important streams of Fine arts, which soothes the heart & gives total relaxation to the body & mind. As far as Science is concerned Music is the combination of certain sound frequencies set up in a particular order, which is very soothing & pleasing to the ears.And as far as Arts is concerned Music is DIVINE which is something beyond explanation.

Let us take a travel towards the Science Of Music, try to understand the rudiments, practice it & finally let us feel that we are blessed by Mother Saraswati to be successful in our efforts.

Finally let us utilise our scientific knowledge in Music to glorify this FINE ART.

Teach yourself Harmonica

We are pleased to announce that veteran harmonica player Ramakrishna Sabnavees from Hyderabad has kindly agreed to guide the visitors to this blog on how to learn to play this tiny musical instrument, a long-felt demand expressed by hundreds of music enthusiasts.

Sabnavees, an engineer by profession, is also a self-taught harmonica player and has painstakingly learned the theory and put it in practice over the last five years. He used to play harmonica during his college days but had given it up because of the compulsion of his profession only to pick up after a long gap. Once he decided to take up harmonica he plunged himself into both theory and practice. The result is today he has become a guru who inspires young harmonica players.

Guru-shishya parampara

When three years ago the Harmonica Club of Gujarat was formed, there were only six 'middle-aged' men who got together with the mission to popularize this small musical instrument which was fast becoming extinct because of the advent of electronic keyboard.

Today the HCG has over 30 members, half a dozen of them school children in the age group of 10-15 years. The man who deserves credit for attracting the generation next is Paresh Bhatia, who turned 50 last Septmber 11. Bhatia had not only introduced harmonica in his music class in a leading public school of Ahmedabad, but also gave personal tuition to anyone and everyone who wished to learn how to play this instrument.

It is Bhatia Sir's efforts which have given the music world child prodigies like Devansh, Aditya, Mihir and Pratham who have not just learned the 'Sa, Re, Ga, Ma' but can today play popular tunes from olden days, decades before they were born.

The result of this Guru-Shishya parampara was witnessed at a public performance of the Harmonica Club of Gujarat at Ahmedabad's premier Rajpath Club on September 10, 2011 where the kids outshone the veterans in presenting scintillating and romantic numbers.

We present here a few of the numbers played by the child prodigies.

Jara Haule Haule Chalo